News


Lecturer

Les Peintres Impressionists en Anglais
Alliance Francaise
1345 Bush Street
San Francisco, CA
Wednesdays, July 7-August 25, 2010


Book

"The Curie Family Investigate the Crab Nebula" painting from my Women Scientists series is on the cover of Gwyneth Jones' new book, "Imagination: Space" published November 2009 by Aqueduct Press.


Magazine

My portrait of Rosa Parks is featured in Direct Art Magazine, Volume 17.


Award

My portrait of Coco Chanel is an Artslant 4th 2010 Showcase Winner in Painting.


Future Work

Working with Adaptive Edge, a creative futures think-tank, for a Multi-Generational Art Project that includes Night*Time Stories.

 

 

Biography

Picture of Jennifer Mondfrans   Picture of Jennifer Mondfrans  Picture of Jennifer Mondfrans  Picture of Jennifer Mondfrans Picture of Jennifer Mondfrans

Born in Salem, Oregon as Jennifer Wilkinson. I live in San Francisco.

Autodidact by nature, I created my independent painting classes while studying Philosophy at Lewis & Clark College in Portland, Oregon. During my studies, I won the President’s Award, the school’s top art prize and received a grant for a 4’ x 7’ painting which was on the yearbook cover and is now in the college’s permanent collection. I was the second woman in the college’s history to receive honors in Philosophy in 1993 and the only one to do so without taking a class in my thesis topic (metaphysics and Spinoza).

Art doesn’t care if you’re man or woman. One thing you have to have is talent, and you have to work like mad.

~ Alice Neel

After college, I continued to paint (sometimes in heated conditions) while working as a residential counselor for teenage girls then as a writer for an adventure travel magazine, traveling to Italy and India on assignment. While working as a temp for an ad agency, I was hired as a copywriter. The job only lasted eight months, but I was able to freelance for five years, working in all forms of advertising (my copy is still on Widmer's Wildwood Hard Cider) and where I learned how to write stories through scripts and the importance of character development. On moving to San Francisco, I left advertising writing to focus on painting and my creation of a multimedia franchise to teach girls science. Currently, I am teaching a class on the Impressionists at the Alliance Francaise (en anglais) and working with Adaptive Edge, a creative futures think tank.

Dedicated hobbies are making Absinthe and doing Aromatherapy, which is like Nature's secret science solution that hardly anyone knows about. 

In my work, I do portraiture influenced by the purity of color, as well as by philosophy, science and storytelling.

I use oil, acrylic and wax pastel to explore the faces of iconoclasts I admire. I like juxtaposing complementary colors, layering the medium to create a textural topography of each face. All my work is drawn free-hand, where I use photographs as a guide. In the mixed-media pieces, I use water-soluble wax pastels and acrylic on unstretched canvas. I like the tension between seemingly incongruent colors and materials and the physical texture of rough surface between mediums. In the oil paintings, I try to maintain the opacity and thickness of pure color by using a dry brush. Besides canvas, I like the familiarity between oil and wood that can bring out the colors in unusual textural ways.

Although some of my subjects are famous, I am more interested in the obscure. I am inspired by true individualism. Especially those whose self-determinism defied odds with a vision that expanded the boundaries of how we think, thereby influencing the cultural mind.

In every piece, the authenticity of the message is related to craft. I want my work to look like it has taken time.

The subject dictates the medium and the form, ranging from traditional portraits, to conceptual, to participatory installation art.

My collection of women scientists represents the triumph of emotion in the most rational male bastion: science. I iconicized these women with pop color portraits incorporating their work and stories to reveal the true genius of each woman and their love of science.

My current work involves storytelling as the receptive in listening. Night*Time Stories is an assertion of American cultural values we have never lost, storytelling and portraiture; inviting participation to join in these traditions through an experience most have never had, but is still part of our collective historical notion of American family life. It is what I call Slow Art; an experience that invites people to "slow down" and take an active part in another's memory, which Walter Benjamin states as participating in the chain of tradition which passes a happening on from generation to generation.